Dr. Yustiono
The difference in view of the origin of modern art of Indonesian art (Holt, 1967, Soemardjo, 2009) revealed a fundamental problem regarding the study of modern Indonesian art history related to the weakness of the research methodology and understanding in the conception of the term à ¢ â,¬ëœmodernà ¢ â, ¬â "¢ the following derivatives (Berman, 2010). This study aims to interpret and reconstruct empirical data on Indonesian modern art history which cannot be separated from cultural, social and aesthetic contexts where artworks are made in the colonization of 17th century, 18, 19, 20, independence struggle , and the initial government of Indonesia until 1965. This study uses the methodology of science of art history, especially the extrinsic approach (Kleinbauer, 1971). The results of this study will have an impact on strengthening the science roots of strong art (Corfield, 2008) so that it can develop more direction in accordance with the character of the social field of art and Indonesian humans in general.
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